Targets (1968)



Targets (1968)

   Peter Bogdanovich's debut feature is a thinly disguised account of ex-marine Charles Whitman, who, after murdering his mother and his wife, armed himself with a number of rifles and handguns and on a sunny 1966 Texas morning, began a shooting spree that killed 14 people and wounded 32 people. Bogdanovich's version tells two stories concurrently, about an aging horror-film star who feels that his type of movie monster has become passé, and the other about a father-hating gun freak who goes on a rampage to get even with his dad by shooting at people from the top of a water tower and then from behind a drive-in movie screen.

Personal Review:  I was going to post this during October on my Facebook page but held back because of the recent sniper shooting in Las Vegas with 50+ dead and 500 wounded.  I would love to bring this film to the attention of more people. It is a fantastic film and it is one of Karloff's best at an age when he is definitely slowing down.  He and his wife often described this as his “last” film (ignoring 4 Mexican horror films he did – filming 4 at once was hard on Boris).  During the filming of Targets Byron Orlok (Karloff) recites a short tale of Death keeping an appointment with a man in Samatra and afterwards the crew applauded and those sitting stood in ovation. Well deserved kuddos.

The film tracks two parallel stories: Aging horror film actor Byron Orlok and clean-cut All-American young man Bobby Thompson and their paths meet where old style horror movie terror clashes with real-life violence and terror.  Byron doesn't think he's relevant any longer and wants to retire to the dismay of his latest director Sammy Michaels (director/actor Peter Bogdanovich) and personal assistant Jenny (Nancy Hsueh) (and panicked studio heads).  Bobby and wife live with his parents, a mother that keeps a sterile and cold home and an authoritive father who inspired and encouraged Bobby's love of firearms (and possibly Bobby's service in Viet Nam – hinted at by one photo of Bobby in uniform).  Bobby tells his wife that he gets funny ideas sometimes but she's rushed and hasn't time to talk.  She's his first victim, then his mother and a delivery boy.  Bobby heads out on a snipping killing spree that ends up at a drive-in where Byron is scheduled to make a personal appearance at the opening of his latest movie. 

I sing the praises of the movie.  The anti-gun message isn't too overhanded (a point I like due to my own personal belief in the 2nd Amendment, USMC service and love of firearms – don't worry, I don't have those “funny thoughts”).  The well-worn out trope of crazed Viet Nam vets being dangerous and going on killing sprees wasn't in full swing yet and this film doesn't push that narrative as to the reason Bobby goes nuts.


Bobby Thompson (Tim O'Kelly)


Bobby checking out a new firearm
Marshall Smith (Monte Landis), Sammy Michaels (Peter Bogdanovich) Jenny (Nancy Hsueh), Ed Loughlin (Arthur Peterson)

Sammy, Jenny & Ed
Sammy, Jenny, Chauffer (Daniel Ades) & Byron Orlok (Boris Karloff)


Modern horror
Byron & Jenny


Ed, Jenny, Byron - trying to talk Byron into appearing
Bobby and a very cold home life

Bobby - only clue that he was in Viet Nam
Perfect All-American family


Byron & Sammy drinking & talking
Sammy & Byron - matching headaches


tales of death
Bobby's arsenal

Robert Thompson Sr (James Brown) & Bobby


it begins with shooting his wife, mother and delivery boy
like mass shooter Whitman, Bobby places wife and mother in their beds


Add caption


shooter's perch


has to keep up his energy


Add caption


a good place to hide and more




projectionist (Byron Betz)

two paths about to meet

behind the movie screen

discovering the projectionist


with Jenny wounded and Byron spotting the shooter climbing down from behind the screen - he acts

seeing Orlok on the screen & in person, Bobby's shoots at both

canes make nice weapons when you're pissed and he's out of ammo

unlike Whitman, Bobby is captured and brags about his shooting skills

Orlok isn't so afraid of death any longer

aftermath - empty lot except for Bobby's car
the great Boris Karloff

Boris with writer/director and actor in the film - Bogdanovich

end of an era






Comments

Popular posts from this blog

Christine (1983)

The Devil Rides Out (aka The Devil's Bride)