Targets (1968)
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Peter Bogdanovich's debut feature is a thinly disguised
account of ex-marine Charles Whitman, who, after murdering his mother and his
wife, armed himself with a number of rifles and handguns and on a sunny 1966
Texas morning, began a shooting spree that killed 14 people and wounded 32
people. Bogdanovich's version tells two stories concurrently, about an aging
horror-film star who feels that his type of movie monster has become passé, and
the other about a father-hating gun freak who goes on a rampage to get even
with his dad by shooting at people from the top of a water tower and then from
behind a drive-in movie screen.
Personal Review: I was
going to post this during October on my Facebook page but held back because of
the recent sniper shooting in Las Vegas with 50+ dead and 500 wounded. I would love to bring this film to the
attention of more people. It is a fantastic film and it is one of Karloff's
best at an age when he is definitely slowing down. He and his wife often described this as his
“last” film (ignoring 4 Mexican horror films he did – filming 4 at once was
hard on Boris). During the filming of
Targets Byron Orlok (Karloff) recites a short tale of Death keeping an
appointment with a man in Samatra and afterwards the crew applauded and those
sitting stood in ovation. Well deserved kuddos.
The film tracks two parallel stories: Aging horror film actor
Byron Orlok and clean-cut All-American young man Bobby Thompson and their paths
meet where old style horror movie terror clashes with real-life violence and
terror. Byron doesn't think he's
relevant any longer and wants to retire to the dismay of his latest director
Sammy Michaels (director/actor Peter Bogdanovich) and personal assistant Jenny
(Nancy Hsueh) (and panicked studio heads).
Bobby and wife live with his parents, a mother that keeps a sterile and
cold home and an authoritive father who inspired and encouraged Bobby's love of
firearms (and possibly Bobby's service in Viet Nam – hinted at by one photo of
Bobby in uniform). Bobby tells his wife
that he gets funny ideas sometimes but she's rushed and hasn't time to
talk. She's his first victim, then his
mother and a delivery boy. Bobby heads
out on a snipping killing spree that ends up at a drive-in where Byron is
scheduled to make a personal appearance at the opening of his latest
movie.
I sing the praises of the movie. The
anti-gun message isn't too overhanded (a point I like due to my own personal
belief in the 2nd Amendment, USMC service and love of firearms –
don't worry, I don't have those “funny thoughts”). The well-worn out trope of crazed Viet Nam
vets being dangerous and going on killing sprees wasn't in full swing yet and
this film doesn't push that narrative as to the reason Bobby goes nuts.
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Bobby Thompson (Tim O'Kelly) |
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Bobby checking out a new firearm |
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Marshall Smith (Monte Landis), Sammy Michaels (Peter Bogdanovich) Jenny (Nancy Hsueh), Ed Loughlin (Arthur Peterson) |
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Sammy, Jenny & Ed |
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Sammy, Jenny, Chauffer (Daniel Ades) & Byron Orlok (Boris Karloff) |
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Modern horror |
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Byron & Jenny |
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Ed, Jenny, Byron - trying to talk Byron into appearing |
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Bobby and a very cold home life |
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Bobby - only clue that he was in Viet Nam |
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Perfect All-American family |
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Byron & Sammy drinking & talking |
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Sammy & Byron - matching headaches |
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tales of death |
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Bobby's arsenal |
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Robert Thompson Sr (James Brown) & Bobby |
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it begins with shooting his wife, mother and delivery boy |
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like mass shooter Whitman, Bobby places wife and mother in their beds |
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Add caption |
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shooter's perch |
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has to keep up his energy |
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Add caption |
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a good place to hide and more |
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projectionist (Byron Betz) |
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two paths about to meet |
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behind the movie screen |
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discovering the projectionist |
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with Jenny wounded and Byron spotting the shooter climbing down from behind the screen - he acts |
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seeing Orlok on the screen & in person, Bobby's shoots at both |
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canes make nice weapons when you're pissed and he's out of ammo |
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unlike Whitman, Bobby is captured and brags about his shooting skills |
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Orlok isn't so afraid of death any longer |
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aftermath - empty lot except for Bobby's car |
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the great Boris Karloff |
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Boris with writer/director and actor in the film - Bogdanovich |
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end of an era |
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